Thursday, March 15, 2012

El Sicario, Room 164

El Sicario, Room 164

Movie Info

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Reviews:
Mark Jenkins(NPR):The stories are frightful., if laced with Tarantino-style caprice.
V.A. Musetto(New York Post):Rosi avoids every one of embellishments, such as re-creating some of the crimes. A wise uncommon, since the hit man's account is compelling and frightening on its recognize.
Jeannette Catsoulis(New York Times):Finally less compelling for its random details of multiple brutalities than with a view to its chilling portrait of a political division irretrievably rotting from within.
Nick Pinkerton(Village Voice):The pellicle's sparse, almost banal presentation is a efficacy, for to boldface the horrors below discussion would only trivialize or sensationalize them, being of the cl~s who the Mexican murder magazines do.
Donald J. Levit(ReelTalk Movie Reviews):This the same-man dramatization is not a film, but surely an indictment. Rosi's 'grey girth where good and evil meet' is extensive of the mark; this is untainted evil.
Ron Wilkinson(Monsters and Critics):What appears to exist a monologue documentary illuminates the elephant in the swing. We are the killers.
Chris Cabin(Filmcritic.com):gives not upon the sense that you're attention a 60 Minutes interview with Death himself
Alison Willmore(AV Club):El Sicario: Room 164 is ~y almost laughably simple, aggressively drab-looking pellicle, but it packs a wallop.
Eric Monder(Film Journal International):A snappish between a feature-length home movie and urgent avant-garde classic, El Sicario, Room 164 records a fortify in a room (though not righteous any man) talking for 80 charged minutes.
Keith Uhlich(Time Out New York):Despite his remorse, you sense that this lost life will be confessing his sins as antidote to all eternity.
Jesse Cataldo(Slant Magazine):A great quantity of evil is laid on the synopsis in El Sicario, and the film makes a big, if exquisitely acute show, of theorizing that there's ~t one way to explain how it got in that place.

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